Classical Archaeology at the University of Mainz is exercised as a modern cultural studies discipline dedicated to the comprehensive study of the material culture of the Greeks, Romans and their neighbors. In both teaching and research, we therefore deal with all facets of the ancient world: Domestic culture, sanctuaries, funerary practice, social history, object and image analysis and more. The subject content and the introduction to academic papers are taught in lectures and seminars/practice classes, but also as part of special internships and teaching projects. For example, on the basis of our own collections (originals and plaster casts), we regularly work together on special exhibitions, including for the so-called School of Vision, the showcase for science and arts at Mainz University. Other practical work experience can also be gained during the program of study. In addition to these wide-ranging course offerings, we offer our students intensive individual supervision from the start of their studies through to their final theses, help them make the transition to the job market, regularly organize field trips in Germany and abroad, are happy to arrange participation in excavations in Germany or the Mediterranean countries and establish contacts for internships, e.g. in the preservation of monuments or in publishing. Through our participation in numerous collaborative research projects, we also have the opportunity to grant grants to dedicated doctoral candidates.

TDie Geschichte der Klassischen Archäologie an der JGU Mainz beginnt mit der Erstbesetzung des Lehrstuhls. Das Verfahren, in dem mehrere namhafte Vertreter des Faches zur Berufung vorgeschlagen wurden, zog sich über einen längeren Zeitraum hin, und blieb zunächst ergebnislos. Das Amt erhielt schließlich im Jahr 1948 Roland Hampe (1908–1981), der von Kiel nach Mainz wechselte und hier fast zehn Jahre wirkte, bis er 1957 die Mainzer Universität verließ, um fortan in Heidelberg zu lehren. Hampe fing in Mainz praktisch bei null an. Da die alte Mainzer Universität nach dem Ende des Kurmainzischen Staates nicht weiter existierte, gab es an der wieder gegründeten JGU keinerlei archäologischen Lehrapparat, wie er an anderen Traditionsuniversitäten vor allem im 19. und frühen 20. Jahrhundert sukzessive zusammengetragen worden war, auf den Hampe hätte zurückgreifen können. Gleichwohl gingen er und seine Mitarbeiter, darunter Erika Simon (1927–2019) und German Hafner (1911–2008) mit großem Elan daran, zunächst eine Bibliothek und bald darauf auch eigene Sammlungen für den Lehrbetrieb aufzubauen. Letztere dienten zudem einer inner- wie außeruniversitären Vermittlungsarbeit, die sich an ein nicht fachspezifisches, allgemein interessiertes Publikum wendete.

Hampe’s research clearly had a Greek focus. Of particular note from his time in Mainz are the fundamental investigations into an Attic grave find, which came to JGU through his efforts, and his early interdisciplinary interest in Greek pottery and the associated manufacturing techniques. Hampe worked closely with Adam Winter, a ceramist living in Mainz-Kastel, with whom he undertook joint research trips, resulting in several publications. This laid the foundation in Mainz for later DFG projects in Heidelberg, in which natural sciences subjects were also involved. Hampe did real pioneering work here.

Durch German Hafner und Erika Simon wurden darüber hinaus zum Teil andere Lehr- und Forschungsimpulse gesetzt. So habilitierte sich Hafner 1951 mit einer Untersuchung über Späthellenistische Bildnisplastik – Versuch einer landschaftlichen Gliederung (erschienen 1954). Diese Forschungen dehnte er später auf den Bereich der etruskischen Terrakottavotivköpfe aus. In mehreren Aufsätzen publizierte er in den 1960er Jahren den entsprechenden Bestand des vatikanischen Museo Gregoriano Etrusco. Hervorzuheben sind ferner Hafners populärwissenschaftliche Bemühungen. Schon 1961 legte er im Züricher Atlantis-Verlag eine Geschichte der griechischen Kunst vor, der wenige Jahre später in der Reihe Kunst im Bild des Baden Badener Verlages Holle die Bände Kreta und Hellas (1968) sowie Athen und Rom (1969) folgten. Hafners berühmtestes Buch dürften freilich seine 1978 publizierten Sternstunden der Archäologien – Wissenschaftler auf Spuren alter Kulturen sein. Bis zu seinem Tod publizierte Hafner weitere wissenschaftliche als auch populärwissenschaftliche Abhandlungen.

Compared to German Hafner, Erika Simon only worked in Mainz for a relatively short time. Her professorial dissertation on the Portland Vase, submitted in the winter semester of 1956/1957, was published shortly afterwards in 1957 by the Römisch-Germanisches Zentralmuseum Mainz. Simon researched and taught on both Greek and Roman topics during her time in Mainz, so that together with Hafner she formed an ideal complement to Hampe. After leaving Mainz and moving to Heidelberg in 1959, she became one of the most influential and academically productive German-speaking archaeologists of the 20th century.

Zugleich mit Hampe, Hafner und Simon wirkte von 1953 bis zu seiner Emeritierung 1959 der von der Universität Jena wegen seiner NS-Vergangenheit entlassene Walter Hahland (1901–1966) als sogenannter „Professor zur Wiederverwendung“ an der Mainzer Universität. Hauptberuflich war er in dieser Zeit als Leiter der Presseabteilung der in Mainz ansässigen Jenaer Glaswerke Schott tätig.

Die durch Hampe und seinen Mitarbeitern gebotene thematische Vielfalt wurde auch unter Hampes Nachfolger Frank Brommer (1911–1993) beibehalten, der selbst wie sein Vorgänger auf dem Lehrstuhl vor allem einen griechischen Forschungsschwerpunkt hatte. Brommer blieb von 1958 an bis zu seiner Emeritierung im Jahr 1976 in Mainz und entfaltete hier eine reiche Lehr- und Forschungstätigkeit. Entsprechend seiner Bedeutung als einer der angesehensten Parthenon-Forscher seiner Zeit – er verfasste mehrere Monografien zum Bildschmuck des Tempels – wirkte er darüber hinaus während seiner Mainzer Professur gastweise an bedeutenden Forschungsinstituten in Amerika und an einer englischen Universität.

In contrast to Hampe, Brommer placed greater emphasis on expanding the plaster cast collection. He achieved significant growth in this area. He was also the driving force behind the Institute’s move from Schönborner Hof on Schillerplatz in the city center to the newly built Philosophicum on the campus grounds at the end of the 1960s. The decisive factors in his decision were the proximity to the other ancient studies libraries and the university library and the fact that the institute finally had a modern infrastructure including its own premises for the library, the photo library, the original collection and the cast collection. With the establishment of his own photo library and contemporary slide library, Brommer put the finishing touches, so to speak, to the development of the classical archaeology teaching apparatus. After more than twenty years of intensive efforts, Mainz was thus one of the better equipped chairs in Germany. Consolidation also continued in terms of personnel. Hafner, who had held the title of adjunct professor since 1957, was given the appointment of scientific advisor in 1963, which meant that his position was finally made permanent. After his retirement in 1976, this position was repeatedly filled as the second Mainz professorship for Classical Archaeology.

Ebenso gelang es, zusätzlich zu den beiden festangestellten Professores eine ganze Reihe von Nachwuchswissenschaftler*innen für Mainz zu gewinnen, von denen einige in Mainz habilitierten. Zu nennen ist zunächst Hagen Biesantz (1924–1996), der ab 1959 als Assistent von Brommer in Mainz lehrte. Seine Habilitationsschrift von 1962 trägt den Titel Die thessalischen Grabreliefs – Studien zur nordgriechischen Kunst und erschien 1965. Biesantz‘ archäologische Karriere endete nur wenig später, da er sich ab 1966 zunehmend und dann ausschließlich auf seine Arbeit im Vorstand der Allgemeinen Anthroposophischen Gesellschaft am Goetheanum in der Nähe von Basel konzentrierte. Klaus Tuchelt (1931–2001), der 1964 nach Mainz kam und hier 1968 eine Habilitationsschrift zu Die archaischen Skulpturen von Didyma – Beiträge zur frühgriechischen Plastik in Kleinasien vorlegte, blieb der Wissenschaft hingegen erhalten. Von Mainz führte ihn sein Weg 1969 nach Istanbul, wo er als Zweiter Direktor der dortigen Abteilung des Deutschen Archäologischen Instituts tätig war, bis er 1981 als Erster Direktor und Stellvertreter des Präsidenten an die Zentrale nach Berlin ging. Lange Jahre leitete er zudem die Ausgrabungen in Didyma. Ein anderer Assistent Brommers, Hermann Büsing, kam nach dem DAI-Reisestipendium 1968/69 an die Mainzer Universität. Dort wählte er ein lokales Thema für seine Habilitationsschrift Römische Militärarchitektur in Mainz (erschienen 1982), die er allerdings erst 1977 nach seinem Wechsel an die Ruhr-Universität Bochum vollendete und dort einreichte. Nach dem Weggang Büsings kümmerte sich zunächst auf Bitten Brommers Ursula Höckmann um die frei gewordenen Dienstgeschäfte. Auch sie habilitierte sich in Mainz, jedoch erst im Wintersemester 1979/1980 unter Fleischer und Wesenberg. Zum Gegenstand ihrer Arbeit wählte sie sich Die Bronzen aus dem Fürstengrab von Castel San Mariano bei Perugia (erschienen 1982). Höckmann war damit eine der wenigen deutschsprachigen Wissenschaftler*innen in der sehr kleinen Runde der internationalen Etruskolog*innen. Von ihr stammt auch der 1987 veröffentlichte Band zu etruskischen Spiegeln diverser deutscher Sammlungen in der Reihe des Corpus Speculorum Etruscorum. Ab 1997 arbeitete Höckmann schließlich als Teilprojektleiterin in einem DFG-Sonderforschungsbereich (s.u.) und widmete sich fortan intensiv Naukratis sowie der zyprischen Kunst. Brommer ließ seinen Mitarbeiter*innen mehr oder minder freie Hand bei der Auswahl ihrer Qualifikationsarbeiten. Dies führte in einem positiven Sinn zu einer thematischen Vielfalt, die ihre Spuren auch in der Lehre hinterlassen hat und von der die Mainzer Studierenden damals nur profitieren konnten.

Mit der 1977 erfolgten Berufung Robert Fleischers auf den Lehrstuhl begann eine neue Ära. Da auch German Hafner 1976 pensioniert worden war, stand insgesamt ein Generationenwechsel ins Haus, der 1978 mit dem Amtsantritt von Burkhardt Wesenberg als Nachfolger Hafners einen vorläufigen Abschluss fand. Bis zum Weggang Wesenbergs 1985 nach Regensburg dominierten am Mainzer Institut die thematischen Schwerpunkte der beiden Professores, Archäologie des antiken Kleinasiens und benachbarter Regionen sowie Kunst des Hellenismus (Fleischer) und antike Architektur (Wesenberg), den Lehr- und Forschungsalltag, wobei in der Ausbildung der Studierenden stets auch andere Themen zur Sprache kamen. Während seiner Tätigkeit in Mainz publizierte Fleischer mehrere ausführliche Untersuchungen zu wichtigen Einzelmonumenten bzw. Denkmälergruppen, so die Arbeiten zum Klagefrauensarkophag aus Sidon (1983), den Studien zur seleukidischen Kunst – Herrscherbildnisse (1991) und dem Wiener Amazonensarkophag (1998). An der letzten Arbeit waren zahlreiche Mainzer Studierende beteiligt. Daneben publizierte er auch zu provinzialrömischen Themen (Die römische Straßenstation Immurium-Moosham im Salzburger Lungau,1988) und zu Fragen des Kulturkontaktes (Figurale Bronzen ägyptischer und griechisch-römischer Art vom Jabal al-´Awd, Jemen, 2012). Zuletzt erschien seine Abhandlung zu den Felsgräbern der pontischen Könige in Amasya (2017).

Zusätzlich zu der fest installierten Assistentenstelle konnte bald noch eine weitere feste Mitarbeiter*innenstelle besetzt werden, die sich hauptsächlich um die Bibliothek zu kümmern hatte. Sie wurde zunächst von Dagmar Kemp-Lindemann bekleidet, der 1981 Renate Bol folgte. Bol habilitierte sich 1994 mit einer Arbeit zu den Amzones Volneratae – Untersuchungen zu den ephesischen Amazonenstatuen (1998). Ab 1997 war Bol ebenso wie Höckmann als Teilprojektleiterin in einem geisteswissenschaftlichen Sonderforschungsbereich (s. u.) tätig, wo sie sich hauptsächlich mit der Kunst und Kultur der Phönizier sowie des antiken Zyperns befasste. Zu Fleischers Assistenten zählten Friederike Naumann, der heute als Professor für Etruskologie der Universität Roma Tre lehrende Stephan Steingräber und Klaus Junker, von denen sich die beiden letztgenannten auch in Mainz habilitierten: zunächst Steingräber 1994 mit der Schrift Arpi – Apulien – Makedonien – Studien zum unteritalischen Grabwesen in hellenistischer Zeit (2000) und dann Junker 2001 mit Legend and myth criticism – hermeneutic studies on Greek legends of the 6th and 5th centuries BC. Darüber hinaus gab es zwei externe Habilitationen am Mainzer Institut. In 1996, Brommer student Thomas Weber-Karyotakis, who had worked on Gadara Decapolitana, and in 2003 Caterina Maderna, who obtained her doctorate with a doctoral degree in Heidelberg under Tonio Hölscher, successfully received one’s post-doctoral professorial qualification with Der Kampf der Götter gegen die Giganten – Zur Geschichte und Funktion des Mythos in der griechischen und römischen Bildkunst (from [XY University]). From 1997, Weber, together with Bol and Höckmann, was also one of the classical-archaeological sub-project leaders of the Mainz SFB (see below). His students Michael Siebler and Dominique Svenson as well as Hendrik Svenson-Evers, who obtained a doctorate from Burkardt Wesenberg, and Leibundgut’s student Friederike Fless, who now heads the German Archaeological Institute as president after holding a professorship at the FU Berlin, also worked at the Institute for a shorter period under Fleischer’s aegis.

In 1987, Annalis Leibundgut (1932-2014) moved from Trier to Mainz to take up the vacant second professorship, which she held until 1997. She was succeeded in 1998 by Detlev Kreikenbom, who retired in 2018. It is thanks to Leibundgut that Classical Archaeology in Mainz played a central role from the very beginning in the establishment and then the regular continuation of the Collaborative Research Center 295 “Cultural and Linguistic Contacts – Processes of Change in Historical Fields of Tension in Northeast Africa/West Asia”. During the twelve-year funding period from 1997 to 2008, numerous scholars conducted research on a wide variety of topics in several classical archaeological sub-projects. During this time, many international symposia were organized in Mainz with the funding, and the numerous publications, some of which appeared in specially founded scientific series, testify to the scientific research results of the CRC. The activities of Detlev Kreikenbom and his team in Leptis Magna are particularly noteworthy, as the classical archaeologists in Mainz had their own excavation abroad. Detlev Kreikenbom also succeeded in acquiring further third-party research funding on several occasions: Greek-Roman marble sculpture from Syria; The military edict of Emperor Athanasios I from al-Hallabat; Edition of Jacob Burckhardt’s writings on the arts of antiquity; Greco-Roman metal sculpture from the Oriental provinces of the Imperium Romanum and the Arab Barbaricum. He was also involved in the successful application for a Research Training Group on the topic of Space and ritual – function, meaning and use of sacred spaces and places involved. With Annalis Leibundgut and Detlev Kreikenbom, the institute included internationally recognized specialists in the field of ancient sculpture and the history of its reception. In this way, both formed an ideal complement to Robert Fleischer’s main areas of interest. Unfortunately, Leibundgut was unable to complete her “intellectual biography”, as she herself called it, of the famous Apollo of the Belvedere before her death. The manuscript and the accompanying documents are kept in the Mainz University Archives.

During the years Fleischer and first Leibundgut and then Kreikenbom worked together, a whole series of other researchers worked in Mainz. Some Mainz students successfully obtained a doctorate (from.) with corresponding dissertation projects as employees of the CRC. [XY University] with a dissertation on …): Mohammed Al-Daire, Die fünfschiffige Basilika in Gadara-Umm-Quais Jordan (2001); Simone Frede, Die phönizischen anthropoiden Sarkophage, Teil 1, Fundgruppen und Bestattungskontexte (2000); Karl-Uwe Mahler, Die Architekturdekoration der frühen Kaiserzeit in Lepcis Magna (2005); Andreas Stylianou, Der Sarkophag aus Amathous als Beispiel kontaktinduzierten Wandels (2004). However, the focus at that time was not exclusively on SFB-relevant topics. In addition to the intensive research activities, important teaching impulses were also provided. For example, under Klaus Junker’s direction, Mainz students developed a special exhibition with a printed catalog on the Greek vases from the Mainz University collection, entitled From Myth and Lifeworld, which was on display at the Mainz State Museum in 1999. In addition, even before the actual reform process began, Klaus Junker was in charge of developing a completely new type of archaeological bachelor’s degree program that encompassed all the archaeological disciplines represented at Mainz University (Biblical, Christian, Classical, Ancient Near Eastern Archaeology and Pre- and Protohistoric Archaeology) and in which students were able to enroll for the first time in 2004.

When Robert Fleischer became emeritus professor in 2006 and the SFB came to an end in 2008, another phase of reorientation in terms of content and personnel began, which lasted until 2019. The first step was the appointment of Heide Frielinghaus as Fleischer’s successor in 2008. Following on from Hampe and Brommer’s research units [im Rahmen der Forschungsinitiative 2008-11], she now focused on the archaeology of Greece. Visible signs of this include the establishment of her own series, published jointly with Jutta Stroszeck of the DAI Athens “Beiträge zur Archäologie Griechenlands” and the relevant international research colloquia published in it, which have already brought numerous Greek co-workers to Mainz. In 2017, Frielinghaus’ assistant Oliver Pilz received his academic staff members with a habilitation on a Greek topic(cults and sanctuaries in Elis and Tripyhlia) and has been teaching as a professor (DAAD long-term lecturer in Classical Archaeology) at the Department of Archaeology, School of Archaeology and Tourism at the University of Jordan in Amman since 2019. Pilz’s successor Anne Sieverling also has a Greek research unit [im Rahmen der Forschungsinitiative 2008-11]. Students from Mainz were and are regularly involved in Pilz’s (Kaulonia in Calabria) and Sieverling’s (Palairos in Acarnania) projects abroad.

In the course of Heide Frielinghaus’ appointment negotiations, it was also possible, exactly 60 years after the founding of Classical Archaeology in Mainz, to establish a permanent curatorial position for the collections, held by Patrick Schollmeyer. Since then, both collection rooms have been renovated and special exhibitions are held regularly. Together with Art History, a proposal to establish a university-wide exhibition pavilion, the so-called School of Seeing, was also successful in 2010/11, in which the classical archaeology collections have already been a frequent guest. However, a presence was also shown outside the university, for example in 2014 with a studio exhibition in the Mainz State Museum to mark the 2000th anniversary of the death of Emperor Augustus. Other outreach activities include the establishment of the Mainz Archaeological Network University School(MANUS), within the framework of which the advanced training events for pupils and teachers in Rhineland-Palatinate schools, mainly supervised by Schollmeyer, take place, and the founding of the “Friends of Classical Archaeology at JGU Mainz” at the end of 2019.

As part of a joint appointment procedure, Classical Archaeology in Mainz was able to add another professorship to its staff: With the 2018 appointment of Alexandra W. Busch as Director General of the RGZM and University Professor, an additional focus in the field of archaeology of the Roman provinces, which is very rarely represented at German universities, was successfully established. It is an ideal complement to the other specialist areas of Classical Archaeology in Mainz, within which the two older chairs are primarily dedicated to the archaeology of Greece and Rome.

The appointment of Johannes Lipps as successor to Detlev Kreikenbom in 2019 brought new research projects in the field of Roman archaeology to Mainz: Ancient cities on Djerba, Excavations in the so-called Comitium of Pompeii, The ancient building elements in the Gregoriano Profano Museum, The Roman architecture of Ladenburg, The late antique destruction of the Basilica Aemilia at the Forum Romanum, disiecta membra. Stone architecture and urbanism in Roman Germany. Zudem konnte ein GFK-Fellowship „Roman-City“ eingeworben werden. Lipp’s assistant, Paul Pasieka, in turn, writes with the project he is leading together with Mariachiara Franceschini (University of Freiburg) Cityscape and urban development of ancient Vulci he is continuing the Etruscan tradition (see above) of Classical Archaeology in Mainz.

Thanks to the different areas of interest of the three professors and their respective employees, the subject of Classical Archaeology can be studied at JGU in its entire chronological, geographical and thematic breadth. In addition, the Mainz location is particularly well connected with a large number of other ancient studies disciplines (Egyptology, Ancient History, Ancient Near Eastern Archaeology, Biblical Archaeology, Christian Archaeology, Classical Archaeology, Near Eastern Archaeology, Pre- and Protohistoric Archaeology), which is only found in this breadth at a few other German universities and which has already been reflected in joint projects (interdisciplinary courses, lecture series, conferences, exhibitions, publications and research proposals). To strengthen the joint activities, the majority of the subjects mentioned joined forces to form the joint Institute for Ancient Studies (IAW) with effect from October 1, 2013. In addition, the cooperation with the universities and non-university research institutions in the Rhine-Main area(VARM Rhine-Main Archaeology Network) enables further joint research and teaching projects, from which students in particular benefit, as they can, for example, attend lectures and seminars at all participating universities without major administrative hurdles. Additional important impetus has also been provided recently in the area of research and the expansion of international relations. Among a whole range of other interdisciplinary efforts, the two Research Training Groups Man and Nature and Byzantium and the Euromediterranean War Cultures as well as the large joint project 40,000 Years of Human Challenges: Perception, Conceptualization and Coping in Premodern Societies and the academic network Test of Strength: Domination – (Re-)Construction of Premodern Ruler Figures between Challenge and Assertion in which Classical Archaeology is involved. Further initiatives are currently being developed.

After more than 70 years of Classical Archaeology at JGU Mainz, the subject has reached a level of development that the first chair holder in 1948 could only have dreamed of. This applies both to the staffing and other resources (teaching apparatus) of the working group as well as its diverse activities in research, teaching and outreach.

Other academic staff members in the SFB 1391 “Andere Ästhetik” at the University of Tübingen

Professors emeritus

  • Apl. Professor Dr. Renate Bol
  • Univ.-Prof. Dr. Robert Fleischer
  • PD Dr. Matthias Grawehr (substitute professor)
  • Apl. Prof. Dr. Ursula Höckmann
  • Apl. Prof. Dr. Klaus Junker
  • Univ.-Prof. Dr. Detlev Kreikenbom
  • Univ.-Prof. Dr. Annalis Leibundgut ✝
  • Prof. Dr. Stephan Steingräber
  • Prof. Dr. M. Thomas Weber-Karyotakis (adjunct professor)

Employees

  • Elisa Schuster (2020-2025) │ Administrative assistant
  • Linda Stoeßel (2023-2025) │ Academic project member
  • Daniel Richter (2024) │ Academic project member
  • Angelika Schurzig (1981-2024) │ Photographer
  • Dominic Bärsch (2022-2024) │ Non-scientific project member
  • Anna Sophie Ruhland (2023-2024) │ Academic project member
  • Elwira Janus (2019-2021) │ Academic project member
  • Felix Levenson, Dr. (2019-2021) │Non-scientific project member
  • Lucas Hafner (2018-2020) │ Academic project member
  • Norbert Franken,Dr. (2017-2020) │ Academic project member
  • Oliver Pilz, Dr. PD (2019) │ Habilitation Classical Archaeology JGU Mainz
  • Frederik Berger, Dr. (2017-2018) │ Academic project member
  • Sabine Wilke (2011-2016) │ Administrative assistant
  • Mustafa Kocak, Dr. (2014-2016) │ Academic staff member
  • Nicola Nappert (2014-2016) │ Academic staff member
  • Karl-Uwe Mahler, Dr. (2003-2015) │ academic staff member
  • Constanze Graml, Dr. (2011-2013) │ academic staff member
  • Maderna Caterina, Dr. PD ✝ (2003) │ Habilitation Classical Archaeology JGU Mainz
  • Stephan Steingräber, Dr. PD (1994) │ Habilitation Classical Archaeology JGU Mainz

If you have any questions regarding registration (courses, examinations), please contact the “student advising office for Classical Studies” (Studierendenbüro Altertumswissenschaften)


Mentoring
Our two mentors will be happy to answer any questions you may have about everyday student life
and can be contacted by email to arrange personal meetings:

Kai Gaßmann kgassman@students.uni-mainz.de
Maximilian Amstad mamstad@students.uni-mainz.de

Admission Requirements

The enrollment to study in Classical Archaeology is without admission requirements. Knowledge of modern foreign languages is a prerequisite for successful completion of the course of study and proof of the required language proficiency can be attained during the course of study. The requirements in ancient languages differ depending on the degree program (ALPHA-BA, ALPHA-MA, doctorate). If you are unsure about the language requirements, we strongly advise you to consult an academic advisory office.


There is a simple idea behind the term “mentoring”: an experienced person (mentor) supports and advises a less experienced, usually younger person (mentee) for a fixed period of time. The mentoring program offers a special opportunity to discuss all issues related to the program of study and also to talk about possible difficulties. In view of the great freedom in the implementation of the program of study, experience has shown that there is a great need for orientation, to which we respond with this program. This includes, for example, access to internships, stays abroad, considerations regarding possible changes of subject and career prospects. Participation in the program is free of charge, but obligatory.

Kai Gaßmann (Master degree student) and Maximilian Amstad (Bachelor degree student) are available as mentors for questions and suggestions.

We are happy to share our knowledge and experience! Please, feel free to contact us.


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If you wish to no longer receive the emails, you can unsubscribe at any time at the same place.

The department for Classical Archaeology regularly offers spring and summer schools for students in cooperation with other institutes, both locally and in the Mediterranean region. As part of these courses, subject-specific methods such as archaeological visualization and processing of finds, as well as digital reconstruction and documentation techniques are practiced in a practical manner.

Current offers

The summer school will be five full days, from September 22 to 26, 2025 based at JGU in Mainz with field trips throughout the city. The course will be taught in English and German. An information session will be held on Tuesday 15 April at 18:00 in a hybrid format – in Philo I, P 210 and online. Please email for the link to participate remotely. Enrollment is also possible for non-JGU students.

How do blocks make buildings, how do buildings make settlements, and how do places transform over time? This one week intensive summer school aims to answer these questions though a hands-on investigation into stone architecture in Roman Germany. The course offers a deep dive into the theories and methods of architectural and urban studies. Participants will learn and practice different techniques of architectural recording and structural analysis as well as participate in broader discussions about urbanism, settlement, and space on the frontier.

Drawing on the resources of Akademie des Wissenschaft project disiecta membra, this course will offer practical experience of recording architectural materials and structures in Mainz. With the successful completion of the course, students have the opportunity to participate in upcoming field projects in Great Britain and North Macedonia.

Research-based learning Fund processing for students

In the annual summer schools in Greece, students can acquire skills and knowledge of archaeological finds processing on the basis of finds from excavations and surface prospections in Greece.

In small groups, students learn how to technically draw, clause, photograph, catalog, archive and digitally process the finds. This not only trains their eye for different types of finds such as vessels, bricks, terracotta, weaving utensils and weapons, but also prepares them for future work in the scientific and museum sector. The internship also opens up the opportunity to write research and practice-oriented qualification papers during the program of study.

On the weekends, field trips to archaeological museums and ancient sites are offered, which allows students to link the finds they have seen and worked on with their sites and with comparable objects at other locations. The summer schools take place in the region of Acarnania (Palairos and Stratos) and in Olympia.

Follow-up reports

Program in Vulci, 19-27.3.2022
Roof tile finds are often among the most quantitatively extensive types of finds on excavations in the Mediterranean region. The graphic, photographic and descriptive documentation of several thousand, sometimes large and heavy fragments per campaign is often just as challenging as the subsequent evaluation, which is why undecorated roof tiles in particular often remain unprocessed. As part of the Vulci Cityscape project, from March 19 to 27, 2022, in cooperation with the DIGITAL ROOFS project of the headquarters of the German Department of Archaeology and with the support of the Soprintendenza Archeologia Belle Arti e Paesaggio per la provincia di Viterbo e l’Etruria meridionale and the Fondazione Vulci, Parco Archeologico di Vulci, the Spring School “Vulci Cityscape meets DIGITAL ROOFS. Digital documentation of Etruscan roofs” in Ischia di Castro and Vulci (both Italy).
Group photo in front of the Castello della Badia (Vulci)
Under the instruction of Friederike Fless (DAI Berlin), Annalize Rheeder (DAI Berlin), Mariachiara Franceschini (University of Freiburg) and Paul Pasieka (JGU Mainz), students from Johannes Gutenberg University Mainz, Albert-Ludwigs-Universität Freiburg and Freie Universität Berlin were given an introduction to the Technics Department and methods of documenting and handling roof tile finds. This included descriptive data collection, photographic documentation, classification of the types of goods with a hand-held microscope (Dino-Lite), recordings with a 3D scanner, clause of specific weight, etc. In addition, examples of tile finds dating from the beginning of Etruscan clay roofs in the late 7th century BC to the Roman imperial period were processed.
Dokumentation der Dachziegel
Employees working with the 3D scanner
The Spring School also included joint excursions to the Vulci Archaeological Park, the Museo della Badia in Vulci and the Museo Archeologico Nazionale di Viterbo, where the famous roofs of Acquarossa are on display.

Joint excursion in Vulci
Visit to the Museum of Viterbo
A student report can be found at the following link.(Spring School on the roofs of Vulci – Vulci Cityscape (hypotheses.org)). The Spring School takes place in the archaeological laboratory in Ischia di Castro with the kind support of the Fritz Thyssen Foundation, the German Department of Archaeology and the Comune die Ischia di Castro.

Program in Mainz, Frankfurt and Darmstadt, 28.3. to 1.4.2022
From its beginnings as a scientific discipline, archaeology has been dependent on the visualization of its objects. Whether a simple clay vessel or a representative building – almost everything has survived in fragments and requires precise visual recording in order to be reconstructed as far as possible.

Before the start on the campus in Mainz
The study week was dedicated to this central cross-sectional topic of archaeology. It was jointly organized by the institutions for Classical Archaeology at the universities of Mainz, Frankfurt and Darmstadt, with financial support from the Rhine-Main Universities (RMU) Teaching Fund. The organizers were Klaus Junker (Mainz, in charge), Anja Klöckner (Frankfurt) and Franziska Lang (Darmstadt), actively supported by the student assistants Laura Rausch (Mainz), Moritz Fornoff (Frankfurt) and Lara Reusch (Darmstadt).
One of the student topics is presented
The programme comprised 13 lectures and seminars on a wide range of topics, starting with historically oriented contributions on forms of visualization and reconstruction from the Renaissance onwards, but was largely dedicated to the current state of the art in the field of computer-aided visualization. – Due to the coronavirus, masks had to be worn indoors, but there were no restrictions on the implementation of the program.
Contribution by Andreas Noback, Building of the Faculty of Architecture at TU Darmstadt
The focus was on architecture, but there were also insights into its application in the field of philology and research into ancient sculpture. The speakers came from the RMU and the universities of Göttingen, Heidelberg, Cologne and Trier. The central question of the intensively discussed contributions on current projects was the examination of the tension between the technical possibilities and the cultural implications of 3D visualizations.
Discussion with Maria Courtial, Design-Studio Faber-Courtial, Darmstadt
The 18 student participants, who came from RMU and five universities in other parts of Germany, also addressed this topic in contributions that were developed in five groups.

The programme was supplemented by a visit to the Faber-Courtial design studio in Darmstadt, which specializes in photorealistic visualizations, and to the Saalburg in Bad Homberg vor der Höhe as an example of a comprehensive physical reconstruction of an ancient building complex.
Prof. Dr. Klaus Junker

The joint interdisciplinary project of the universities of Freiburg and Mainz and other national and international partners uses geophysical prospection and targeted excavations (including a newly discovered monumental Late Archaic temple) to investigate the diachronic urban development of the Etruscan metropolis of Vulci (Lazio, Italy) from its beginnings in the Early Iron Age to the end of the city in the Early Middle Ages.


The internship will be offered from September 1 to 20, 2025 as part of the archaeological, geoarchaeological and geophysical field research in the immediate periphery of the sanctuary of Olympia, which has been carried out by the Institute of Geography at JGU Mainz and the Athens Department of the German Archaeological Institute (DAI) since 2021. It offers an introduction to excavation practice including the analog and digital documentation of archaeological finds and features. Participation takes the form of a voluntary internship at the DAI. Travel expenses will be covered; accommodation in the excavation house in Olympia (double room) is free of charge. For further information, please contact the project manager Apl. Professor Dr. Oliver Pilz.


Upcoming events

Day excursion Liebighaus Frankfurt (February 06, 2026)
under the direction of Prof. Johannes Lipps


Follow-up reports

On the Ides of February, the Classical Archaeology research unit went on a field trip to the Terra Sigillata Museum Rheinzabern, which was organized and led by Anne Sieverling and Manuel Flecker. On site, museum director Barbara Thomas gave us deep insights into the history and structure of the Terra Sigillata production area of Rheinzabern, the ancient Tabernae, which is so important for the north-western provinces. At the beginning, she gave us the opportunity to visit the museum’s outposts.

Using the two monumental brick and sigillata kilns still in situ there, we were able to discuss not only their construction, but also the different firing processes involved in ceramic production. Back in the museum, we also internalized the different decoration techniques of terra sigillata on the exhibits and replicas, which were passed around for better autopsy. On the basis of the exhibits, we also discussed fundamental questions about terra sigillata in greater depth, such as its variety of shapes and decoration, its imagery, as well as economic and trade history issues.

Other types of pottery such as terra nigra, household items and lamps helped us to view the sigillata in context. In addition to the pottery, other finds from ancient Tabernae, such as fibulae, bone objects, bricks with impressions and stone monuments are also on display. Among them, we took a closer look at the unusual five-god stones in particular and not only deepened our knowledge of the iconography of the Roman world of gods, but also explored their significance for ancient Tabernae.

Finally, Barbara Thomas invited us to a practical pottery lesson in which we learned how to form picture bowls from replica molds, pull them out of the model and attach stand rings, which led to a better understanding of the shaping technique in addition to the pottery fun.

We would like to thank Barbara Thomas for the intensive and very interesting guided tour through the beautifully constructed Education Museum and the pottery kilns in Rheinzabern, as well as for the opportunity to shape picture bowls ourselves. We would love to come back soon!

From June 7 to 11, 2023, twelve Classical Archaeology students traveled to Paris to gain a small insight into the museum landscape of the French capital and get to know some of the important archaeological objects kept there.

The field trip was headed and organized by Matthias Grawehr and Johannes Lipps. As we had two lecturers with us, we had the opportunity to explore the museums in small groups, which was particularly useful at the Louvre. We spent two days there, divided into two groups, looking at the collection of antiquities. Our focus was somewhat on the Greek objects, as the rooms in the Roman section were only partially open. Nevertheless, we were given a varied insight into different types of material and also had time to visit the Etruscan and Near Eastern sections. We mainly found Roman objects in sarcophagi and Roman copies of ideal Greek sculptures. Presentations, expert topics and the small groups made the field trip very interactive and we were able to talk to each other at any time about objects that had aroused our interest.

On the third day of the field trip, we took the train to Saint-Germain-en-Laye to the National Archaeological Museum of France. Unfortunately, the Roman section was also being renovated here, which is why we took a closer look at the exhibition on the prehistory and early history of France and the two rooms dedicated to the Battle of Alesia. Not only did we learn about provincial Roman archaeology, but we were also able to talk a lot about the history of research and archaeology in the 19th century. Afterwards, we visited the amphitheater in Paris and still had time to look around Paris on our own.

We also used the day of departure to visit the Bibliothèque nationale de France and the Musée de Cluny. In the collection of the National Library in particular, we employed ourselves with some highlights, such as the Grand Camée de France, the largest antique cameo, and the magnificent Berthouville silver treasure. But the new Musée de Cluny, whose exhibition is mainly dedicated to the Middle Ages, also aroused great interest among fans of Roman archaeology with finds from the Roman city of Lutetia, exhibited in the impressively preserved frigidarium of the Roman baths (report by Valentin Maki Müller-Quade).


From September 3-13, 2022, 15 students undertook a ten-day field trip to Sicily under the direction of lecturer Dr. Matthias Grawehr. In a previous seminar, we had already gained an overview of the ancient sites in the south-eastern part of the island. We now wanted to expand on this by visiting sites in the north-western part of Sicily. Starting from our accommodation in the capital Palermo, we went to one or more archaeological sites every day. Presentations by the students and lectures by Dr. Matthias Grawehr supported the explorations, and museum visits supplemented what we had seen on site.

During the first few days, we explored the Roman remains in Palermo and took a ferry to the Phoenician city of Mozia on a small island off the coast of Sicily. On the fourth day, after a short stay in Termini Imerese, we went to Himera, where we visited the Temple of Victory. Spontaneously, we went on a hike up to the upper town, where we explored the settlement complex from afar.

Our next destination was the Greek town of Selinunte with its countless temples. The following day, we supplemented our visit with a hike through the Cave di Cusa, an ancient quarry where you can see unused column drums that were intended for Selinunte’s largest temple. In the Museo del Satiro, we studied an original Greek bronze statue. Another underwater find was in the form of a Punic shipwreck in Marsala.

We then walked through the remains of the ancient city of Lilybaeum excavated behind the museum. The next day we went up to Monte Iato, where we were kindly given a guided tour of the culturally rich city complex by the excavation director himself. Thanks to the spectacular view, we were even able to visually capture a large part of the archaeologically exciting hinterland. In the Museo Archeologico Regionale in Palermo, which we visited the following day, we trained our eyes on the metope friezes of the temples of Selinunte. The remains of the ancient city of Solunt were planned for the penultimate day, on which we also had the opportunity to enjoy the Mediterranean Sea.

Finally, we went to Bronze Age Mokarta, the oldest settlement we visited on our field trip. The final stop was the Elymian, later Roman Segesta with its still completely upright temple and a large theater.

Through chronological and comparative classifications, we increasingly gained an overview of the settlement of Sicily in antiquity and its extensive history over the ten days. Thank you for a successful and eventful field trip!

From November 7 to 9, 2019, the Classical Archaeology working group went on a museum excursion to Munich under the direction of Dr. Anne Sieverling.

We first visited the extensive Museum for Casts of Classical Sculptures, where the museum director Dr. Nele Schröder-Griebel kindly gave us a guided tour of the new exhibition “Living Plaster” and presented many interesting details about museum education, plaster casting techniques and the history of the museum. We then discussed the archaic sculptures from Samos and Athens and their respective contexts, as well as other masterpieces of antiquity such as the Athena Marsyas group and the Tyrannicides.

We spent the following two days in the Collection of Classical Antiquities on Königsplatz, looking at the pictorial vases in contrast to the glossy clay vessels in the current exhibition “Black is Beautiful“. Side notes on other find genres such as terracottas, gems, gold jewelry and bronzes showed that these are also linked to each other in terms of pictorial themes or morphology, which rounded off the discussion of material antique diplomas well.

At the beginning of October, the Classical Archaeology working group went on a week-long field trip to Delphi. Every day, 15 students joined lecturers Heide Frielinghaus and Anne Sieverling to visit the oracle site of Apollo and the Delphi Museum.

Following the preparatory seminar in the summer semester, the knowledge was deepened on site, among other things through intensive discussions and identification exercises directly on the archaeological objects, such as the charioteer, the metopes of the Athenian treasury, the bronze tripods …

… and the architectural structures, such as the foundations of the Sikyonian Treasury and the Temple of Apollo, as well as the bases of the multi-figure statue dedications.

The field trip also included a guided tour of the sanctuary prepared by the students, a reading by Pausanias on the paintings of Polygnot in the Lesche of the Knidians, a guided tour of the finds of the settlement and the necropolis by Dr. Nikolaos Petrochilos (Ephoria Delphi) and a visit to the sanctuary of Athena Pronaia and the sports facilities associated with the Pythian Games. We have now returned from this intensive pilgrimage with a great deal of new knowledge, insights and new interesting questions.

We would like to thank the archaeological employees of the Ephorate of Delphi, especially Mr. Petrochilos, and the guardians of the site and the museum for their hospitality and helpful support.

Bottom from left Melina Angermeier, Kristina Wörzler, Emese-Eva Huber, Janina Noack, Pia Kusche,
Sina-Marie Hahn
Top from left Elke Baum-Hofmann, Bianca Protiwa, Stefan Wetherington, Adrian Schulze, Philipp Schug,
Sarah Merk, Yannic Heilmann, Heide Frielinghaus, Anne Sieverling

On Saturday 29 June 2019, our field trip to the Palatinate organized by the student council took place with a colourful Roman Villa-Terra Sigillata-Cannibal-Celtic Wall-Stone Quarry program.

Our first stop was the Villa Rustica “Weilberg” in Ungstein near Bad Dürkheim, where we were kindly given a guided tour of the partially reconstructed complex by Dr. Fritz Schumann. The economic basis of the risalit-style villa, which was decorated with murals and a heated bath, was viticulture, of which the wine press has been preserved. We were able to taste today’s products from a tumblers.

Then we went on to the Terra Sigillata Museum in Rheinzabern, where Dr. Fridolin Reutti was waiting for us to tell us about his wealth of excavation and research knowledge and guide us through the exhibition. We learned about a tomb relief from the Vicus Tabernae, the extensive range of products made there, such as bricks, Terra Nigra and, of course, the famous Terra Sigillata from Rinzabern. The highlight was the various production techniques of the red-coated pottery and the firing process in the many kilns that were found here.

After a short breather in the museum courtyard, where it was now 36 degrees, we continued on to the Herxheim Museum, where we looked at the exhibition on the Neolithic cult site in Herxheim and discussed the very unusual findings in depth. Around 7000 years ago, remarkable funerary rituals were carried out here, in which hundreds of human bodies were dismembered, their skullcaps cut off, the bones smashed and the human remains buried with intentionally destroyed vessels and other grave goods.

The last part of the field trip then took place in a smaller group on the Kästenberg in Bad Dürkheim, where we hiked to the “Heidenmauer” hilltop settlement, a 2 km long Celtic ring wall from the late Hallstatt period, and its exposed Zangentor gate. Finally, we climbed up to the Roman quarry, the so-called Kriemhildenstuhl. There we enjoyed an after-work drink with a fantastic view of the Wine Route and the Rhine plain before heading back to Mainz after a long and very interesting day.

A special focus of the practical training in the archaeology degree programs at Mainz University is on museums and exhibitions. Thanks to the Classical Archaeology department’s own collections, it is possible to regularly offer practical museological seminars for students in preparation for special exhibitions.

An “Introduction to Museum Work” is also regularly offered, in which the basics of all public-facing areas of museum work such as exhibition planning, museum education, etc. are taught. In addition, students can complete three to six-week internships in the Classical Archaeology collections during the semester breaks.


The colloquium offers a first insight into possible career fields after completing a program of study in the field of ancient studies. The disciplines of Egyptology, Ancient Oriental Studies, Byzantine Archaeology, Classical Archaeology, Classical Philology, Pre- and Protohistoric Archaeology and Ancient Near Eastern Archaeology present concrete perspectives that show participants career opportunities within and outside academia. Graduates, lecturers, alumni and other guests report on their own career paths and enable students to talk to them and ask their questions.


Current excavations


Close cooperation with LEIZA and the GDKE as well as project-related cooperation with partner institutions in the region and beyond gives our students the opportunity to get to know a wide range of (larger) fields of activity. We would like to expressly encourage our students to make use of the passing networks and are happy to assist with placement.

For many years, the members of the Classical Archaeology research unit have been characterized by their broad commitment to interdisciplinary collaborative projects. These currently include the management of the core research area 40,000 Years of Human Challenges, which was founded in 2019, and the long-term academic project Disiecta Membra. Stone architecture and urban development in Roman Germany. We are also involved in the Collaborative Research Center 1391 Other Aesthetics, the Research Training Group 2304 Byzantium and the Euromediterranean War Cultures, the EU Research Training Group TheSPIS: Theatre, Sanctuary, Performance: Interaction and Sustainability and a Minigraduate Research Training Group Urban Differences, as well as the Leibniz ScienceCampus Byzantium between Orient and Occident and the Leibniz Excellence Cooperative on Resilience Factors in Diachronic and Intercultural Perspective.

The research colloquium provides an opportunity for presenting and discussing research in depth within a small group of academics. The format is aimed at external guests who wish to present their ongoing work, as well as employees and advanced students within the department. Participation is mandatory for Master’s students, with a focus on thier thesis. This aims is to present the project or topic of work to teaching staff and students. Students present an outline of their planned master’s thesis with the research question to be addressed and the range of methods to be used. A basic compilation of the most important literature is submitted with the presentation.

The series, edited jointly by Heide Frielinghaus (JGU) and Jutta Stroszeck (German Department of Archaeology, Athens Division), has been publishing individual research and conference proceedings on various archaeological topics on ancient Greece in regular intervals since 2010.

  • H. Frielinghaus – J. Stroszeck (Hrsg.), Neue Forschungen zu griechischen Städten und Heiligtümern. Beiträge zur Archäologie Griechenlands 1 (2010)
  • O. Pilz, Frühe matrizengeformte Terrakotten auf Kreta. Votivpraxis und Gesellschaftsstruktur in spätgeometrischer und früharchaischer Zeit, Beiträge zur Archäologie Griechenlands 2 (2011)
  • J. Stroszeck – H. Frielinghaus (Hrsg.), Vorbild Griechenland. Zum Einfluß antiker griechischer Skulptur auf Grabdenkmäler der Neuzeit. Beiträge zur Archäologie Griechenlands 3 (2012)
  • H. Frielinghaus – J. Stroszeck (Hrsg.), Kulte und Heiligtümer in Griechenland – Neue Funde und Forschungen. Beiträge zur Archäologie Griechenlands 4 (2017)
  • H. Frielinghaus – J. Stroszeck – P. Valavanis (Hrsg.), Griechische Nekropolen: Neue Forschungen und Funde. Beiträge zur Archäologie Griechenlands 5 (2019)
  • B. Wesenberg, Qualis peplus fuerit: Zum panathenäischen Peplos. Beiträge zur Archäologie Griechenlands 6 (2020)
  • M. Streicher, Panathenäische Preisamphoren hellenistischer Zeit. Kontinuität und Wandel einer athenischen Vasengattung, Beiträge zur Archäologie Griechenlands 7 (2022)
  • H. Frielinghaus – J. Stroszeck – A. Sieverling (Hrsg.), Textilien im antiken Griechenland, Beiträge zur Archäologie Griechenlands 8 (2023)
  • H. Frielinghaus – J. Stroszeck (eds.), Appointment and Cult, Contributions to the Archaeology of Greece 9 (2025)

Supplement volumes

  • H. Frielinghaus – Th. Schattner (eds.), ad summum templum architecturae – Forschungen zur antiken Architektur im Spannungsfeld der Fragestellungen und Methoden (2018)

Series jointly edited since 2019 by Heide Frielinghaus, Sebastian Graetz, Heike Grieser, Ludger Körntgen, Johannes Pahlitzsch and Doris Prechel.

  • L. Körntgen – H. Frielinghaus – S. Grätz – H. Grieser – J. Pahlitzsch – D. Prechel (Hrsg.), Dominant, verführend, ewig schuld. Frauen im Umfeld des Herrschers, KpH Bd. 2 (2022)
  • H. Grieser – H. Frielinghaus – S. Grätz – L. Körntgen – J. Pahlitzsch – D. Prechel (Hrsg.), Der Herrscher als Versager?! KpH Vol. 1 (2019)

Series jointly published by Heide Frielinghaus and Christine Walde since 2025

  • H. Frielinghaus/C. Walde (eds.), Beyond Entertainment. Programs of Study on the Theatre of the Roman Imperial Period I (2025)

The key aim of the new MAPA series (Material Appropriation Processes in Antiquity) is to promote a focus on human and social agency in the way in which material culture, such as artefacts, art and architecture are created, used, and perceived, and thus become crucial factors in processes of cultural transfer and appropriation. This is a deliberately broad understanding of materiality, which does not rely on the wholesale adoption of currently fashionable concepts like “hybridity”, “object agency” etc., whilst at the same time providing a conceptual framework in which such theoretical approaches can easily find a place. Last but not least, the emphasis on processes of material appropriation, driven by human agents in a particular social setting, seems particularly suitable for all sorts of research into aspects of Graeco-Roman antiquity, e.g. in what have usually been conceived as the “core zones” of the Mediterranean, but equally in diverse geographical settings where various form of cultural contact and exchange would have taken place.
Within MAPA, both monographs and edited volumes (e.g. conference proceedings) in German, English, Italian, and French will be published.
Each manuscript will be assessed by members of the MAPA editorial board, in line with their respective expertise, in a double-blind review. For the series a “hybrid” strategy of dissemination is pursued: from the
moment of publication, each volume shall be available both as an e-book and in print, and there is also the option of an Open Access version.

Volumes:

  • J. Lipps – M. Dorka Moreno – J. Griesbach (Hrsg.), Appropriation Processes of Statue Schemata in the Roman Provinces, MAPA 1 (Wiesbaden 2021) ISBN 9783954904495
  • D. Maschek – F. Diosono (eds.), Living in a World of Change: New Perspectives on Cultural Exchange and Transfer in the Hellenistic Mediterranean, MAPA 2 (Wiesbaden 2025) ISBN 9783752007855
  • J. Lipps – D. Kreikenbom – J. Osnabrügge (eds.), Die Mainzer Salus. Gesellschaft und Stadtkultur im Norden der Germania Superior, MAPA 3 (Wiesbaden 2023) ISBN 9783752007954
  • J. Lipps – M. Grawehr (eds.), Colour Schemes in Roman Architecture. Aesthetics, Semantics, and Regional Appropriation , MAPA 4 (Wiesbaden 2024) ISBN 9783752008548

This small annual series publicizes objects from the JGU Classical Archaeology Collection.

  • K. Gaßmann, Ein Hellenistischer Reliefbecher erzählt von den Anfängen einer neuen Keramikgattung, Mainzer Winckelmann-Blätter 8 (Mainz 2025)
  • P. Schollmeyer, Modell eines Töpferofens. Roland Hampes und Adam Winters Forschungen zu antiken Brenntechniken, Mainzer Winckelmann-Blätter 7 (Mainz 2024)
  • M. Grawehr, Die Mainzer Augenolpe, Mainzer Winckelmann-Blätter 6 (Mainz 2023)
  • P. Pasieka, Tanz und Kampf – zwei Seiten einer Amphora. Die schwarzfigurige Halsamphora Mainz 222, Mainzer Winckelmann-Blätter 5 (Mainz 2022)
  • K. Junker, Conspicuous destruction. Die Mainzer Kratere aus früharchaischer Zeit, Mainzer Winckelmann-Blätter 4 (Mainz 2021)
  • P. Schollmeyer, Votivgabe für eine Gottheit oder einen Heros? Ein tönerner Miniaturschild aus der Universitätssammlung Mainz, Mainzer Winckelmann-Blätter 3 (Mainz 2020)
  • P. Schollmeyer, Fliehende Mädchen. Zwei Tonplaketten aus der Universitätssammlung Mainz, Mainzer Winckelmann-Blätter 2 (Mainz 2019)
  • A. Sieverling, Protogeometrische Grabbeigaben aus Westgriechenland. Ein Grabfund aus der Universitätssammlung Mainz, Mainzer Winckelmann-Blätter 1 (Mainz 2018)
NameTopicThesis Supervision
Heide, ThomasRömische Steinwirtschaft in der Provinz Germania Superior: Archäologische und petrografische Untersuchungen zu Gewinnung, Herstellung und Transport von Bau- und Werksteinen aus lokalem NatursteinLipps
Pasieka, PaulZwischen Resistenz und Resilienz: Sepulkralkultur lokaler Eliten im hellenistischen EtrurienLipps
Scarci, AzzurraEin neuer Blick auf das “multikausale” Phänomen der Fragmentierung –
Olympia, andere Heiligtümer und Horte Alteuropas
Frielinghaus
Sieverling-Pantelidis, AnneVersorgungsnetzwerke römerzeitlicher StädteFrielinghaus
  • Pilz, Dr. Oliver: Kulte und Heiligtümer in Elis und Triphylien (2017)
  • Flecker, Dr. Manuel: Kreative Kollaboration(en). Zum Beginn römischer Steinarchitektur in den Nordwestprovinzen (2026)

NameTopicThesis Supervision
Adam, Max GeorgMercy in war. Submissio representations in the context of Roman victoriousness. (GRK 2304)Frielinghaus
Bockius, SabrinaTransfer und Transformation römischer Wirtschaftsarchitekturen am Beispiel von Platzanlagen in den Nordwestprovinzen (SFB 1391 in Tübingen)Lipps
Colucci (née Schulz), NadjaUntersuchungen zu Kulturkontakten in Unteritalien am Beispiel Timpone della Mottas Rekonstruktion lokaler, regionaler und überregionaler Vernetzung
anhand archäologischer Funde und Befunde
Frielinghaus
Gómez Blanco,
Francisco José
The Arena at Home: Concepts of Body and Violence in Mosaic Depictions
of Amphitheater Events of the Roman Imperial Period (GRK 1876)
Frielinghaus
Hack, CharleenBuntes Mainz. Zur Polychromie römischer Steindenkmäler
im Norden der Provinz Germania superior (SFB 1391 in Tübingen)
Lipps
Nagy, Goldie GloriaInvestigations into the significance of equids in the Roman military context
(GRK 2304)
Frielinghaus
Rinaldi, AdeleDa Vespasiano a Domiziano. Le fasi edilizie e stratigrafiche di un tratto della Cloaca Maxima Lipps
Rodriguez de Guzman,
Nathalie Julia
Konzepte vom toten Körper in der römischen Bildkunst von der späten Republik bis zur mittleren Kaiserzeit (GRK 1876)Frielinghaus
Ruhland, Anna-SophieÄsthetische Potenziale frühkaiserzeitlicher Architektur am Beispiel Korinths
und weiterer ausgewählter urbaner Zentren Griechenlands (SFB 1391 in Tübingen)
Lipps
Skolik, AnnikaRömische Geisa und Bauornamentik in den NordwestprovinzenLipps
Stoeßel, Linda ‚Andere‘ Ästhetik antiker Wirtschaftsräume im Rom der späten Republik und frühen Kaiserzeit (SFB 1391 in Tübingen)Lipps
Suquet, AndreaFrom settlements to cities: birth, development and changes of Apulian populations settlements between the Archaic period and the Roman Republican age (MGRK Urban Differences)Lipps

  • De Luca, Sabina: L’ordine ionico a Roma. Tipologia, contesti, semantica (2025)
  • Deppe, Konstantin: Die römischen Panzerstatuen des griechischen Ostens. Produktionsprozesse, Typen und Kontexte kaiserzeitlicher Thorakophoroi (2025)
  • Graml, Constanze: Das sog. Hekateion im Kerameikos von Athen (2014)
  • Hanelt, Julia Sophia: Geprägte Gelübde – Untersuchungen zu den Votaprägungen anlässlich der Regierungsjubiläen der römischen Kaiser von Augustus bis Iustinianus I. (2024)
  • Hanelt, Philipp Jakob Nicolai: Untersuchungen zur Entwicklung der Darstellung der römischen Kavallerie auf Bildträgern der östlichen Hälfte des Imperium Romanum (2024)
  • Jäger, Florine: Marmoranstückungen an antiken Skulpturen (2025)
  • Kocak, Mustafa: Aphrodite am Pfeiler. Studien zu aufgestützten / angelehnten weiblichen Figuren der griechischen Plastik (2010)
  • Lehnig, Sina: Foodways through the Desert. A multidisciplinary approach to the settlement history of Arabia and Palaestina (2nd – 7th centuries CE) (2022)
  • Martins Berger, Frederik: Inszenierung der Antike. Öffentliche Antikensammlungen im 19. Jh. (2015)
  • Pavic, Anton: Illyricum – Griechenland – Rom: Kontaktinduzierter Wandel in den Stadtzentren der Ostadriatischen Antike (2014)
  • Prause, Sarah: Konzepte von Blindheit – Ein Krankheitsbild zwischen Darstellung und Heilungsbestrebung im 8.-1. Jh. v. Chr. (2018)
  • Richter, Daniel: Vetera Castra und die frühkaiserzeitliche Architektur und Bauornamentik des Rheinlands (2025)
  • Schimpf, Florian: Mensch. Landschaft. Religion: Eine Untersuchung zur Genese, Gestaltung und Wahrnehmung von heiligen Naturräumen in Kleinasien (2017)
  • Shala, Elvis, Dresnik: Late Roman Settlement and its Place within the Roman Empire (2025)
  • Theis, Frederic: Römische Schiffsdarstellungen in Italien und dem westlichen Mittelmeer. Studien zu Ikonographie und Kontext (2016)
  • Tietz, Julia: The crouching Aphrodite (2021)
  • Wolf, Christina: Der Satyr aus Mazara del Vallo (2010)

  • Adam, Max Georg: Postumus’ other side – a quantitative analysis of Roman coin depositions in Britain in the 3rd century AD (2025)
  • Angermeier, Melina: Die etruskisch-geometrische Keramik der Grabungskampagnen 2021 und 2022 am Tempio Nuovo in Vulci (2023)
  • Ahfeldt, Lukas: Mit anderen Augen – Eine Analyse der Visualisierungsverfahren und -geschichte in der Archäologie am Beispiel architektonischer Funde in Pergamon (2021)
  • Bandlow, Elisa-Marie: Heracles in Apulian vase painting (2015)
  • Beck, Samantha: The Choironisi site and its significance in the region. An evaluation based on the finds of the Plaghiá Peninsula Survey (2023)
  • Bockius, Sabrina: Die bauliche Ausstattung römischer Platzanlagen in Germanien (2022)
  • Colucci (geb. Schulz), Nadja: Ritual Destruction and Accidental Damage of Votive Gifts in the Archaic Sanctuary of Timpone della Motta (2023)
  • Deppe, Konstantin: Die römischen Panzerstatuen des griechischen Festlands (2018)
  • Dörr, Sabrina: Zur Darstellung alter Menschen in der attischen Keramik klassischer Zeit (2014)
  • Engel, Julian: Concordia im Imperium Romanum – Studien zur Identifizierung und Lokalisation des Concordia-Kults (2021)
  • Hafner, Lucas: Die Exomis in klassischer und hellenistischer Zeit (2016)
  • Holweg, Johanna: Erstpublikation archäologischer Funde aus Israel (Akko, Ossure) (2018)
  • Kapfer, Lisa: Mykenische Vasen mit figürlichen Darstellungen (2020)
  • Kazior, Franziska: Totenkult in Nahost mit speziellem Blick auf die Turmgräber in Palmyra. Vergleich und Austausch mit anderen Kulturen (2022)
  • Kress, Bianca: Die Akropoliskore 682. Möglichkeiten und Grenzen der Polychromieforschung (2018)
  • Kühnreich, Daniela: Bildprogramme römischer Ehrenbögen in den Nordwestprovinzen (2019)
  • Kyewski, Sandra: Gladiatorenmosaik von Bad Kreuznach und die Ikonographie der Venatio (2014)
  • Jäger, Florine: Statuette einer sitzenden Nymphe – Typus einer Muse (Dresden-Zagreb) (2018)
  • Mangelsen, Friederike: Die Wirkung des (Original-) Objekts bei der Vermittlung im archäologischen Museum. Besucherstudie am RGZM (2015)
  • Nappert, Nicola: Untersuchungen zur Votivpraxis in ausgewählten boiotischen Heiligtümern (2014)
  • Nicodemus, Julia: Die Bedeutung von Ixous auf der westgriechischen Plaghiá-Halbinsel (2025)
  • Ockert, Anna: Römische Brücken – Darstellungen und Bildschmuck (2019)
  • Pachen, Katharina: Die Stadtreliefs von Avezzano (2014)
  • Rausch, Laura Magdalena: Unter Dach und Fach: Untersuchungen zu den Dachterrakotten der Ausgrabungen 2021-2023 am Tempio Nuovo in Vulci (2025)
  • Richter, Fabienne: Die Taten des Herakles auf einem Fries im Theater in Delphi (2015)
  • Rodriguez de Guzman, Nathalie: Terrakotten aus dem Besitz der REM Mannheim unter besonderer Berücksichtigung des Typus der Manteltänzerin (2019)
  • Schilling, Mario: Sarkophag-Fragmente aus Patara (2016)
  • Schug, Philipp: Neues Licht auf römische Lampen in Etrurien: Die Lampenfunde der Kampagne 2021 des Projektes Vulci Cityscape (2023)
  • Skalecki, Ralf: Ionische Tempel und Bauornamentik in der Magna Graecia (2016)

  • Ahfeldt, Lukas: Die Rezeption des Pantheon in der römischen Baukunst (2015)
  • Angermeier, Melina: Ein hellenistischer Grabbefund in Akarnanien (2020)
  • Beck, Samantha: Gallorömische Heiligtümer – Die Bedeutung der Heiligtümer von Augusta Treverorum für die Herausbildung einer gallorömischen Kultur (2019)
  • Becker, Yvonne: Das Templum Gentis Flaviae (2016)
  • Bertram, Clemens: Grabmonument in Osterburken. Rekonstruktion und Typologie (2018)
  • Bockius, Sabrina: Die Rote Halle von Pergamon (2018)
  • Brill, Juliet: Altersdifferenzierung auf attischen Choenkännchen (2023)
  • Czepluch (née Oppelland), Katharina: A Venus from Vulci. On the relationship between figuratively decorated everyday objects from the Roman period and their educational background using the example of a bone object from Vulci (2023)
  • Deppe, Konstantin: Goldschmuck in der rhodischen Peripherie (2016)
  • Engel, Julian: Archäologische Zeugnisse zum Isiskult in Rom (2017)
  • Fischer, Maya-Franziska: Heroes at the Altar in Attic Vase Painting (2023)
  • Gaßmann, Kai: Ein hellenistischer Reliefbecher aus der antiken Keramiksammlung der Klassischen Archäologie an der Johannes Gutenberg-Universität in Mainz (2024)
  • Gebhardt, Laura: „filiae dulcissimae? Zwei Grabaltäre aus Mogontiacum“ (2025)
  • Gerlach, Esther: Erzieher, Lehrer, Unterricht in der attischen Vasenmalerei (2014)
  • Hack, Edwin: Das archaische Didymaion (2016)
  • Hahn, Sina-Marie: Die Familie des Asklepios (2021)
  • Hammen, Moritz: Der ‘arcus novus’. Ein Rekonstruktionsversuch (2025)
  • Hasse, Felix: Das Amphiaraion von Oropos (2017)
  • Heinz, Lisa: Die attischen Phylenheroen. Das Monument auf der Agora (2014)
  • Höhr, Vincent: Das Römische Theater von Mainz: Deutung der spätantiken Datierung (2025)
  • Huber, Eva-Emese: Läuferdarstellungen auf Panathenäischen Preisamphoren des 6. und 5. Jahrhunderts v. Chr. (2022)
  • Jäger, Florine: Frauen im dionysischen Umfeld in der apulischen Vasenmalerei (2015)
  • Jürgens, Fabian: Bewaffnung und Bewaffnungsrealität. Zur Darstellung der Bewaffnung auf attischen Vasen anhand der Siana-Schale Inventarnummer 89 der Mainzer Universitätssammlung (2022)
  • Kapfer, Lisa: Das Schiffsfresko von Akrotiri (2017)
  • Kehl, Dehlia Ciara: Medea’s characterization on the volute krater (3296) in the Munich Collection of Classical Antiquities and her role as a murderess in Apulian vase painting (2025)
  • Koblenz, Yasmin: Materialität und Medialität des Larenkultes im Wandel des augusteischen Rom am Beispiel des Compitum Acili (2024)
  • Korbach, Lisa: Selten Sichtbar. Arbeitende Frauen auf attischen Vasen des 6. und 5. Jahrhunderts. v. Chr. (2018)
  • Kühnreich, Daniela: Die Attikareliefs des Trajansbogens von Benevent (2017)
  • Kress, Bianca: Die sog. Geschwisterstele im Metropolitan Museum of Arts in New York (2014)
  • Laabdallaoui, Houda: Handwerksdarstellungen auf dem sog. Forumsfries der Julia Felix (2025)
  • Langenberger, Niels-Bjarne: Dienende Gestalten in der Pompejanischen Wandmalerei (2025)
  • Lerner, Maya Elisa: Die Münzprägung der römischen Kaiser Balbinus und Pupienus (2022)
  • Moll, Kevin: Monster in der apulische Vasenmalerei (2024)
  • Münze, Katharina: Die Schale Mainz Inv. Nr. 104 und die Darstellung von Satyrn (2018)
  • Muno, Matthias: Der stadtrömische Mithraskult (2014)
  • Nicodemus, Julia: Der Krater Mainz Inv. 178: An iconographic study of the griffin depictions on Attic red-figure pottery of the 4th century BC. (2023)
  • Nitsch, Christine: Mykenische Schmucktechniken (2024)
  • Nowak, Florian: Zeugnisse östlicher Kulte in Mainz (2018)
  • Ockert, Anna: Hafendarstellungen in der antiken Bildkunst (2017)
  • Oehmig, Saskia: Das Palestrina-Mosaik (2017)
  • Pfeifer, Ann-Kristin: Augustus und Pietas. Wandel eines Tugend- und Wertebegriffes unter Octavian – Augustus (2019)
  • Protiwa, Bianca: Mythische Königinnen in der attischen Vasenmalerei (2021)
  • Rausch, Laura: Die erste Monumentalisierung der griechisch-geometrischen Dreifüße (2020)
  • Rodriguez de Guzman, Nathalie: The Hildesheim silver find (2016)
  • Rogall, Dominik: Analyse und Kontextualisierung einiger Bucchero-Gefäße im RGZM (2017)
  • Schiffer, Hubert: Römische Bäder in Mainz und Umgebung (2025)
  • Schlimm, Pascal: Klassizistische Tendenzen in der Spätantike (2015)
  • Schmitt, Michael: Der attisch-rotfigurige Skyphos Mainz Universität Inv. 113 (2017)
  • Schug, Philipp: Das Grab des sog. Greifen-Kriegers in Pylos (2020)
  • Stridde, Kimberley: Odysseus in Apulien – zu einer Oinochoe mit Phlyakenszene (2025)
  • Termin, Nina: Zur Palastarchitektur Herodes des Großen (2017)
  • Thüring, Hannah: Das Monument des Lysikrates in Athen (2017)
  • Weber, Julia: Ein Grab in Kalami (Akarnanien). Die chronologische Einordnung eines Grabbefundes (2024)
  • Wetherington, Stefan: Akrobatendarstellungen in der unteritalischen Vasenmalerei (2021)
  • Zander, Kurt: Ikonographie der Barbaren am Großen Ludovisischen Schlachtsarkophag (2014)

The Classical Archaeology research unit has three extensive collections: Original small works of ancient art, plaster casts of Greek and Roman sculptures and original photographs of ancient works of art, buildings and sites. They are used as part of the practical modules of the bachelor’s and master’s degree programs for the practical training of students. These efforts were and are reflected in special teaching projects, thematic special exhibitions and special tours for an interested external and internal university public. Objects from the classical archaeology collections are regularly on display in the School of Seeingthe showcase of science and arts at Johannes Gutenberg University Mainz, as part of special exhibitions.

A special focus of the public outreach is on events for pupils and lecturers as part of the Mainz Ancient Studies Network University School (MANUS). Corresponding offers for exploring the collection are individually tailored to the curriculum requirements of the individual schools and can be requested at any time from the responsible collection curator by telephone or e-mail.

Both collections are located in Philosophicum I, Jakob-Welder-Weg 18, and are open to the public on request.

The original collection of Classical Archaeology mainly contains figuratively and ornamentally decorated Greek ceramics from the 8th to 4th centuries BC as well as a few terracottas, bronzes and stone works. The objects on display provide a wide range of insights into the realities of life in antiquity, religious concepts, burial customs and forms of self-presentation of the ancient elites.

The history of the collection

The collection includes some particularly prominent exhibits, including an early Attic grave find: a bowl from the Amasis Painter and a bronze handle attatchment from the 6th century BC, which have already been shown at special international exhibitions.

The pieces in the original collection come almost exclusively from Greek sanctuaries and tombs. In addition to mythical figures, they also depict scenes from everyday life. For example, there are scenes from the areas of weddings, sport, religious rituals, war, hunting and caring for the dead.

With a few exceptions, the exhibits were purchased by the first chair holder, Roland Hampe, who acquired a total of three older private collections (Grancy, Massow and Preuss).

The majority of the collection has been published. In addition to specialist publications, since the 1950s the working group’s researchers have also endeavored to make the collection accessible to a wider circle of interested parties in the form of popular science books, guided tours, lectures and special exhibitions. Since 2018, an annual issue of the Mainzer Winckelmann-Blätter is being published annually, in which an object or a group of objects from the collection is presented.

Exhibitions in the original collection

The special student exhibition is based on the results of Kai Gaßmann’s bachelor’s thesis, which was the first scientific examination of relief beaker 212 from the original Classical Archaeology collection. The investigation was recognized by Faculty 07 as an outstanding final thesis and the interesting results are now presented in this hybrid exhibition.

Sculptural decoration on the outside of relief pitcher 212 Photo by A. Schurzig

Distribution
Vessel 212 belongs to the ceramic genre of Hellenistic relief cups. These were popular drinking vessels for wine in the Hellenistic period and were widespread throughout the Mediterranean.

Revised map by P. G. Bilde, Mouldmade bowls, centres and peripheries in the Hellenistic world, in: P. Bilde et al. (eds.), Centre and periphery in the Hellenistic world, Studies in Hellenistic civilization 4 (Aarhaus 1993) Fig. 1

After a ling tradition of mostly slip painted tableware, the new ceramic genre stands out with its sculptural decoration.

How were Hellenistic relief beaker made?

Hellenistic relief beakers were formed using moulds – a new manufacturing process at the time. These moulds were decorated with hallmarks and incisions and could then be used to produce their specific Hellenistic relief beaker in series.

Interior and side view of a beaker-mould
Photo by Leibniz Center for Archaeology (LEIZA) / R. Müller



Interior and exterior view of relief beaker 212, Photos by A. Schurzig

The first moulds for the production of the new type of pottery were likely made by imprinting Ptolemaic or pseudo-Ptolemaic metal vessels.

How does the vessel date and where does it come from?

The vessel can be placed in the context of the emergence and establishment of the ceramic genre of Hellenistic relief beakers. It was produced between ca. 220-175 BC and thus dates to the early period of the new ceramic genre.

View of relief beaker 212 Photo by A. Schurzig

View of relief beaker 212 from below Photo by A. Schurzig

The origin of the Hellenistic relief beaker can be traced back to Athens, which is considered the oldest production center of the new ceramic genre, by means of typological comparisons.

The black, metallic coating and two grooves filled with ‘miltos’ (a red color) are characteristic of Hellenistic relief beakers from Athens. These are located below the rim of the vessel on the one hand and between the curves of the ring-shaped base on the other.

Which workshop did the vessel come from?

Stylistic comparisons allow the vessel to be attributed to the Athenian workshop of Bion. Diagnostic features include the flying birds, the rim ornament, the rows of beads, craters and roosters. According to Susan Rotroff, Bion’s workshop is credited with the invention of the new ceramic genre of Hellenistic relief beakers. However, the theory is still incomplete.

Relief cup inv. no. 212, M 1:1 Drawing by Kai Alec Gaßmann

However, it is easy to see that Bion’s workshop made a decisive contribution to the spread of Hellenistic relief cups in the Greek Mediterranean. Athenian pottery expanded first to Argos, then to Corinth and later to the island of Lemnos. This testifies to the mobility of the potters and businessmen, who thus built up a new economic network and spread the technical knowledge for producing the new type of pottery.

Dissemination of the Bion workshop Drawing based on a design by Kai Alec Gaßmann

What does the decoration of the vessel say?

The decoration of vessel 212 self-references its context of use: for drinking wine during the symposium. The depicted vessels can be interpreted as craters: Vessels for mixing wine and water. The antithetically arranged roosters and erotes can be linked to the cockfight associated with the Dionysian world. Despite the development from painting to relief technique, the pictorial formula is based on the pictorial traditions of vase painting, which testifies to a visual vocabulary that has been passed on since archaic times.

Detail of the relief cup
Drawing by Kai Alec Gaßmann

Detailed view of the winged figure on the relief beaker 212
Photo by A. Schurzig

The central motif of a winged figure, of which only the head and the wing have survived, is particularly striking.

How can the representation be reconstructed?

Fragmentary depictions can be reconstructed by comparison with well preserved vessels bearing the same decoration. A relief beaker formed with the same matrix from the Athenian Agora, also attributed to the workshop of Bion, shows the winged figure completely preserved: depicted in profile and holding a branch.

The figure probably represents Nike or Eros, both of whom are depicted in similar iconography on coins and vase paintings (see vessel 128 in the original collection).

Bachelor’s thesis by Kai Gaßmann (2024)
recognized by Faculty 07 as an outstanding student thesis in the BA final thesis category

Creation of an exhibition concept – internship report by Kai Gaßmann

As part of my bachelor’s thesis, I examined a Hellenistic relief beaker from the original collection with regard to its provenance and dating. In doing so, I was able to highlight its previously unknown and outstanding significance and noted in my conclusion that the object should receive more attention in the original collection. Following this suggestion, my supervisor Anne Sieverling proposed creating a small permanent exhibition for the Hellenistic relief beaker in the original collection in order to draw attention to the previously unknown object. I was able to complete the planning and implementation during an internship. I also had the opportunity to present the results of my BA, which has since been awarded by the faculty, in the Mainzer Winckelmann-Blättern at the end of 2025 and thus present my first publication.

A lot of preparation was necessary for the exhibition. First, I summarized the results of my BA as short exhibition texts and expanded my research in order to create a coherent concept. It was surprisingly challenging to rethink some of the content from my BA to make it visuably presentable. However, planning the exhibition and condensing my writing gave a deep insight into what it takes to present an object both concisely, yet in detail. The redrawing of the Hellenistic relief cup, which was part of the BA, also had to be adapted. It was also a new experience to create and revise maps, for which I familiarized myself with previously unknown image editing programs such as IrfanView. Finding good photos that could be shown publicly for the exhibition also proved to be a challenge. Thanks to Anne Sieverling, making inquiries to the Ministry of Culture for Antiquities of Athens, the American School of Classical Studies and the Leibniz Center for Archaeology (LEIZA), high-quality comparison photos could be obtained and are now presented. Finally, the images and texts were finalized and the printing was commissioned to the university print shop. Meanwhile, repeated trial exhibits in the original collection helped to finalise, how the object could be arranged for display in conjuction with the information presented. The object was also supplemented with other finds from the collection to ensure its informative value.

When planning the exhibition, I particularly liked the flexible and largely unconstrained mode of operation, which allowed for the individual steps in preparation to be spread out over the semester, making adjustments in the process possible. Overall, I would like to recommend to more students to work with objects from the original collection as part of their final theses and then take the opportunity to present their own results there.

Photos by J. Weber

Presentation of the special student exhibition on November 4, 2024 in the original collection of Classical Archaeology:

In addition to a respectable gallery of Roman imperial portraits, visitors to the cast collection will find an extensive array of prominent masterpieces of ancient sculpture from the world’s most important museums of antiquity. These include the Parthenon sculptures as well as the Venus de Milo, the Vatican Apollo from the Belvedere or the famous slab with Zeus and Athena from the Pergamon Altar in Berlin. Particularly noteworthy is a series of casts taken from part of the Parthenon metopes that Frank Brommer had made especially for the Mainz collection in the 1960s for research purposes. As the original relief slabs suffered greatly from the Athenian air pollution in the years that followed, the Mainz casts are of great documentary value.

The history of the collection

While the original collection was established in the years following the Second World War, the history of the cast collection dates back to the 19th century. The core collection consists of plaster casts, which the Mainz Citizens’ Association for Sculptural Arts had successively acquired since its foundation in 1871. This collection was exhibited in the ‘Kurfürstliches Schloss’ until 1907, from 1912 in the ‘Mainzer Stadtbibliothek’ and finally in the late 1930s in the so-called Haus am Dom, the former Prussian main guardhouse on Liebfrauenplatz. Severely damaged in the bombing, the remaining remnants of the collection came into the possession of the Archaeological Institute and the Art History Institute of the reopened University of Mainz after 1948. The department for Classical Archaeology subsequently endeavored to steadily expand this part of its collection through additional purchases.

The photo library of Classical Archaeology was largely built up during the time of Frank Brommer. Photographs of all areas of ancient arts and architecture as well as topography are archived in more than 1,000 DIN A4 photo boxes. Some of the photographs already have historical value today. Recently, the ‘Ancient Sculpture’ section has experienced a significant increase through the partial acquisition of the original photographs for Peter C. Bol’s History of Ancient Sculpture. Another 380 photo boxes in DIN A5 format, in which the photographs of Frank Brommer’s famous ‘Vase Lists’ are stored, are also worthy of special mention. The photo library is housed in its own room, where seminars and practice classes also take place, and is open to all interested users


The image database of reproduction photographs created for teaching purposes can be accessed via the Gutenberg Images archive system of the university library.

The image database can be used to download high-quality images for presentations and qualification work. Similar to ArkuBiD, the data is provided with metadata that provides information on the origin and dating of the antique objects depicted.

Non-JGU members can also use the database. For first-time access, please contact Dr. Anne Sieverling

Instruction

Before you can use the database, you must log in with your JGU account in the top right-hand corner. Information on logging in and all other functions of the database can be found by clicking on the book symbol.

As part of the Philosophicum departmental library, the Classical Archaeology Library is supervised by the co-workers at Mainz University Library. The entire collection can be searched via the University Library’s online catalog. As a reference library with a sufficient number of workspaces at the location, it is open to all users. The Books may be borrowed to a limited extent.

Office of Prof. Frielinghaus

Address

Klassische Archäologie
Institut für Altertumswissenschaften
FB 07 Geschichts- und Kulturwissenschaften
Johannes Gutenberg-Universität
55099 Mainz

academic advisory office